“Minor’s music which strikes a harmonious balance between blithe, melodious sounds and witty and introspective lyrics…” - Time Out Chicago

“Los Angeles’ Vincent Minor (known as Michael Mangia in a previous life) channels the Great American Songbook via Tin Pan Alley and Brill Building in his catchy pop tunes.” – Pop Matters


“…is known for his cheeky, clever lyrics, and he fuses indie pop songs with classic Tin Pan Alley for fun arrangements.” – The Advocate


“quick wordplay laid against simple yet amazingly catchy tunes, this album is overflowing with songs that will grab hold of your mind and refuse to let go.”- Campus Circle

“His self-titled full-length debut comes laden with hook-filled pop and lush yet sometimes discordant orchestration.” – Venuszine

“Vincent Minor — is a maverick in much the manner of Wainwright, able to compress a century of compositional genres at will. The result? A stunning debut as at home with a momentous music-hall whimsy (“Late Night Show”) as it is with twisted psychedelic balladry (the Harry Nilsson-meets-George Gershwin of “So F**ked Up”). His is a fresh, innovative voice, and anything but minor.” - Towleroad.com

“Minor’s songs are conversations” – Skope Magazine


“This playful and brainy singer-songwriter is self-aware enough to know that his slightly surreal, theatrical story-songs belong to a cult-ish, ’70s-styled mode of singer-songwriter” – Frontier’s Magazine


“Featuring everything from horns to upright bass to synths and pianos, the eclectic mix creates a subtle backdrop to Minor’s compelling narratives on American life.” – Orange Alert


“Vincent Minor has a distinctive slightly nasally voice that blends perfectly with piano parts that converse with Wurlitzer, horns, and strings. – Daily Eargasm